Yesterday, the schedule said that it was my time to blog. But I’m very sorry, the blog was silent all Saturday, just couldn’t find the time – running between films, quick coffees, lunch and so on …
One of the most fascinating things with watching 4-5 films per day is the mix of experiences you get through the screen. The last couple of days some of mine include;
– coming of age in Singapore
– violence on a remote island in South Korea
– the mysteries of time, space, the devastating experinces from Pinochet’s Chilean dictatorship and where we all come from
– the strange wasteland landscapes created by renown artist Anselm Kiefer
– a divorced man killing four people in Bucarest
– the corruption behind the economic crisis in 2008
… and …
– a mass murderer in the shape of a car tyre
As a programmer my main focus this week is to see as much as possible in Semaine de la Critique (Critic’s Week). The main theatre of that section is Espace Miramar, and since queing is an essential part of Cannes Film Festival, I almost everyday get to see this view:
Since I just emptied my camera for the first time in some week, I’m adding some more:
Former Festival director of GIFF, Gunnar Bergdahl (the man in the hat) and Festival producer Håkan Westesson at the Scandinavian Terrace, Friday night.
And I also found this one, from our award ceremony for our Gyllene Draken (Golden Dragon) Award Ceremony on May 6 in Gothenburg, which reminded me of of a big puppet doll boy walking the Croisette in Cannes, some festivals ago. Filmmaker Johannes Nyholm received Gyllene Draken this year, among other things it’s soft and cuddly!